A public figure, litterateur, art and music critic extraordinaire, and active in establishing and curating museums, Stasov’s presence at the IMAO from 1866 reflects the importance of the society to the number of pursuits that grouped under the rubric “archeology.” Although he did not excavate, he wrote on everything from “Russian folk instruments” to “The throne of the khans of Khiva” and “Armenian Manuscripts.” More the intellectual gadfly than the serious scholar of archeology, he is impossible to locate. By the same token, it is equally impossible to exclude him.