Kurgan is a Turkish word for “castle” that translates as “mound,” “tumulus,” or “barrow,” a reference to the particular burial method of building mounds atop pit-graves. Kurgan culture evolved from the fifth millennia BC, from the Northern Pontic and spread across Central Europe, crossing the Dnepr and moving as far as Kazakhstan, home of the Issyk Kurgan. A practice rather than an ethnicity, kurgan culture united many of the peoples who occupied what became the Russian Empire. Scythians ae perhaps the best known who followed these burial practices because of the spectacular golden items found in many of their kurgans. The most culturally advanced kurgans are complex structures with reinforced walls and numerous internal chambers, and many still lie unexcavated across the steppes.
Ivan Egorevich’s father died when he was 7, and the impoverished lad later very fortuitously found a job at the Moscow Armoury. Stroev and others there inspited his love for antiquity; he was always engaged in the professioanlization of archeology. His doctorate from St. Vladimir’s is honorary. D. I. Bagalei of Kharkov University named him the founder of “historical archeology.” He designated his daughter Maria and The Historical Museum as his only heirs, to receive his collections.
Boris Farmakovskii was one of Imperial Russia’s most respected archeologists of classical antiquity, best known for his work reconstructing Olvia in situ. He served briefly as the secretary of the Russian Institute in Constantinople, and on the Archeological Commission from 1901. From Simbirsk, his father worked for Vladimir Ulianov’s, and the two boys were acquainted. He also taught at the Higher Women’s Courses. After the Revolution, he was active in transforming the Imperial Archeological Commission into the Institute for the History of Material Culture, which he hoped would be removing the state from interfering in academic endeavors.